Sans Superellipse Edgip 5 is a regular weight, normal width, low contrast, italic, tall x-height font.
Keywords: ui labels, headlines, branding, sportswear, tech posters, techy, sleek, futuristic, sporty, efficient, speed emphasis, tech aesthetic, modern branding, streamlined readability, geometric identity, rounded, oblique, monoline, squared-round, streamlined.
A streamlined oblique sans built from rounded-rectangle geometry. Strokes are monoline with softly squared terminals and generous corner radii, producing superellipse-like bowls and counters. Letters lean consistently, with compact apertures and a tight, controlled rhythm; curves transition into straights with minimal modulation. The lowercase shows a tall x-height with short extenders, while uppercase forms stay wide and stable, keeping texture even across mixed-case settings. Numerals follow the same rounded-rect construction, with open, angular joins in forms like 4 and a squared, looped structure in 8 and 9.
Works well for interface labels, product branding, and headline typography where a sleek, technical voice is desired. The strong oblique angle and rounded-rect shapes can also suit motorsport, fitness, and consumer-electronics packaging, as well as posters and motion graphics that benefit from a sense of speed and precision.
The overall tone feels modern and engineered—more aerodynamic than friendly. Its rounded corners keep it approachable, but the oblique stance and squared curves suggest speed, technology, and a contemporary industrial sensibility.
Likely designed to deliver a contemporary, fast-moving sans with a distinctive superellipse skeleton—combining rounded corners for continuity with squared curves for a constructed, technical feel. The tall lowercase proportions and consistent slant aim for efficient readability while preserving a signature futuristic texture.
Distinctive details include a single-storey ‘a’ with a rounded, open counter, a ‘t’ with a short crossbar and a curved shoulder, and a ‘y’ with a hooked, descending tail. The ‘w’ and ‘v’ emphasize sharp inner joins, adding energy within the otherwise rounded system. Spacing appears tuned for continuous text, yielding a smooth, slightly condensed-looking flow despite the broad, rounded shapes.