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Free for Commercial Use

Sans Normal Mykon 4 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Astoria Sans' by Alan Meeks, 'Humanist 521' by Bitstream, 'Gardner Sans' by Lewis McGuffie Type, 'Gill Sans MT' and 'Gill Sans Nova' by Monotype, and 'Humanist 521' by ParaType (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logos, friendly, confident, playful, modern, bold, impact, approachability, clarity, modernity, rounded, chunky, soft, compact, high-impact.


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A heavy, rounded sans with compact counters and generous, even stroke weight throughout. Curves are broadly drawn and slightly squared at transitions, giving letters a sturdy, cushiony feel rather than a geometric razor-edge. Terminals are clean and mostly blunt, with minimal modulation and consistent curves in bowls and shoulders. The lowercase shows a single-storey "g" and "a" with simple, closed forms and short ascenders/descenders, contributing to a dense, blocky texture in text. Numerals follow the same robust, rounded construction, designed to read clearly at large sizes.

Best suited to display settings such as headlines, posters, branding, packaging, and short emphatic statements where its mass and rounded shapes can carry impact. It can also work for logos and badges that benefit from a friendly, solid voice, especially when set with ample tracking or generous line spacing.

The overall tone is upbeat and approachable, with a strong, confident presence. Its rounded massing and compact apertures create a friendly, toy-like warmth while still feeling contemporary and direct. The weight and tight interior space add a punchy, emphatic character suited to attention-grabbing messaging.

The design appears intended to deliver maximum impact with a welcoming, rounded voice—prioritizing bold silhouettes, straightforward construction, and consistent stroke behavior for strong readability at display sizes.

In longer lines the tight counters and thick joins produce a dark, unified color, so spacing and size choices will strongly influence legibility. The shapes favor clarity through simple silhouettes and consistent curves, with a rhythm that feels steady and assertive rather than airy or delicate.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸