Sans Normal Lobom 6 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Surt' by Blaze Type, 'Aspira' by Durotype, 'Plasto' by Eko Bimantara, 'Alergia Grotesk' and 'Alfabet' by Machalski, 'Ordina' by Schriftlabor, and 'Loew Next' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, sporty, assertive, energetic, contemporary, confident, impact, motion, modernity, display, oblique, rounded, soft corners, compact counters, high impact.
A heavy, oblique sans with broad proportions and smoothly rounded outer curves. Strokes are uniform and sturdy, with large, simple counters and minimal interior detailing, creating a dense, high-ink silhouette. The letterforms lean consistently forward, and many terminals are cleanly cut with gentle curvature rather than sharp corners, keeping the overall texture bold but not harsh. Numerals follow the same chunky, geometric approach, reading clearly at display sizes.
Well suited to headlines, posters, and promotional graphics where impact and momentum are needed. It also fits branding and packaging that benefit from bold, modern lettering—especially in sports, entertainment, or tech-adjacent contexts. Use it as a display face for short bursts of text, logos, and callouts.
The tone is forceful and energetic, with a forward-leaning posture that suggests motion and urgency. Its rounded geometry keeps the voice friendly enough for mainstream branding while still projecting strength and decisiveness. Overall it feels modern, sporty, and attention-grabbing.
The font appears designed to deliver maximum visual punch with a forward-driving slant and simplified, rounded forms. Its consistent, sturdy stroke structure prioritizes legibility at large sizes and strong brand presence over delicate detail, aiming for a contemporary display workhorse.
The design emphasizes big shapes and simplified joins, which creates strong word silhouettes and a tight, punchy rhythm in all-caps settings. In longer lines, the weight and slant dominate, making it most effective when given space and used for emphasis rather than continuous reading.