Sans Superellipse Foguv 6 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Salda' by Hurufatfont, 'Lech Sans Pro' and 'Lecturia' by Ingo, 'Agent Sans' by Positype, and 'Dalle' by Stawix (names referenced only for comparison).
Keywords: headlines, branding, posters, sportswear, packaging, confident, sporty, punchy, modern, friendly, impact, momentum, modernity, approachability, clarity, rounded, oblique, blocky, compact, smooth.
A heavy, oblique sans with rounded-rectangle construction and softly squared curves throughout. Strokes are thick and even, with low contrast and sturdy joins that keep counters open despite the weight. Curves (C, G, O, S, e) read as superelliptical—neither purely circular nor sharply squared—giving the design a compact, engineered feel. The lowercase shows a single-storey a and g, a strong descending q with a simple tail, and a squared, sturdy n/m rhythm; numerals are similarly robust with rounded corners and clear, simple silhouettes.
This style excels in headlines, brand marks, and promotional typography where impact and momentum are desirable. It also suits sports and lifestyle identities, packaging, and bold UI moments such as hero banners or section headers, where its rounded geometry and strong silhouettes remain legible at medium-to-large sizes.
The overall tone is bold and energetic, with a contemporary, athletic slant that feels assertive without becoming harsh. Rounded corners and generous inner shapes add approachability, making it feel friendly and modern rather than aggressive.
The design appears intended to deliver maximum visual punch with a streamlined, geometric construction. Its rounded-rectangular curves and consistent stroke weight suggest a focus on modern clarity, friendliness, and forward-leaning emphasis for display-led typography.
The italic angle is consistent and gives lines of text a forward motion. Because the forms are dense and the weight is high, spacing and word shapes read best when given a bit of room, especially in longer passages.