Sans Normal Edman 1 is a regular weight, narrow, low contrast, italic, normal x-height font visually similar to 'Klint' by Linotype and 'Morandi' by Monotype (names referenced only for comparison).
Keywords: ui labels, dashboards, packaging, editorial subheads, captions, clean, modern, efficient, technical, contemporary, space saving, clear emphasis, modern utility, systematic rhythm, oblique, linear, compact, crisp, upright terminals.
This typeface is a compact sans with a consistent oblique slant and low-contrast, monoline construction. Letterforms are built from smooth, restrained curves and straight stems, with tight proportions and relatively closed counters that keep the overall color even. Terminals are generally clean and undecorated, and the italics are drawn as true italic shapes rather than a simple mechanical skew, giving the lowercase a lively, forward-leaning rhythm. Numerals follow the same compact, linear logic and sit comfortably alongside the letters.
It works well where a clean, compact italic sans is needed for emphasis—such as UI labels, dashboards, tables, and product or packaging typography. The tight proportions also suit editorial subheads, pull quotes, and captioning where space is limited but a modern, slanted voice is desired.
The overall tone feels modern and utilitarian, with a brisk, forward motion from the slant and a disciplined, no-nonsense texture. It reads as contemporary and efficient rather than expressive, projecting clarity and momentum without calling attention to stylistic quirks.
The design appears intended to provide a space-efficient italic sans that stays clear and consistent across letters and numerals. Its true-italic drawing and compact rhythm suggest a focus on practical emphasis in contemporary layouts, balancing speed and legibility with a restrained, technical character.
The narrow set and steady stroke make lines of text feel dense and cohesive, which can be advantageous for space-saving layouts. Curved characters maintain a controlled, slightly condensed ovality, while diagonals (like in A, V, W, and Y) reinforce the font’s energetic, directional feel.