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Sans Superellipse Kero 2 is a very bold, narrow, monoline, italic, normal x-height font visually similar to 'Adversary BB' and 'Friend Or Foe BB' by Blambot, 'Diamante EF' by Elsner+Flake, 'Monton' by Larin Type Co, 'Diamante Serial' by SoftMaker, 'TS Diamante' by TypeShop Collection, 'Forthland' by Uncurve, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).

Keywords: sports branding, esports, posters, headlines, packaging, sporty, techy, aggressive, dynamic, futuristic, impact, speed, modernity, compactness, cohesion, angular, chamfered, compact, blocky, slanted.


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A compact, heavy, right-leaning sans with squared, superellipse-like counters and corners cut with consistent chamfers. Strokes stay largely even, producing a dense, blocky color, while openings and apertures are kept tight for a streamlined silhouette. Round letters resolve into rounded-rectangle forms (notably in O/C/G and the numerals), and terminals often end in flat, clipped edges that emphasize a mechanical rhythm. Spacing reads firm and efficient, with a sturdy baseline presence and a slightly forward-driving stance.

Best suited to short, attention-grabbing text such as headlines, team or event branding, esports and streaming graphics, posters, and punchy packaging callouts. It also works well for UI badges, labels, and product marks where a compact, high-energy presence is needed, while longer paragraphs may feel visually intense due to its dense color and tight apertures.

The overall tone is fast, tough, and contemporary, combining a sporty urgency with a technical, engineered feel. Its slant and clipped geometry suggest motion and impact, making the voice feel assertive rather than casual.

The design appears intended to deliver a forward-leaning, high-impact display voice using a squared, chamfered geometry that stays consistent across the set. By keeping forms compact and counters rounded-rectangular, it aims for a modern, performance-oriented look that remains cohesive in both letters and numbers.

Curves are controlled and boxy, with counters that remain rectangular even in traditionally round glyphs, giving the face a consistent industrial coherence. Numerals follow the same squared construction, keeping a unified texture across alphanumerics. The design favors strong silhouettes and high contrast against the background through mass and compactness rather than stroke modulation.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸