Sans Superellipse Ogrip 7 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Hoolister' by Ckhans Fonts, 'Raw' by Device, 'Burger Honren' by IRF Lab Studio, 'Direct Mail' by Partnrz, and 'Aptly' by Shinntype (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, industrial, retro, punchy, utilitarian, sporty, space saving, high impact, signage ready, geometric consistency, condensed, rounded, pill-shaped, blocky, compact.
A compact, condensed sans with heavy, uniform strokes and rounded-rectangle construction throughout. Curves are built from superelliptical bowls and soft corners, while verticals read as tall, pill-like stems; counters are narrow and often vertically oriented. Terminals are mostly flat with generous rounding, giving letters a sturdy, stamped look, and joins stay clean and geometric rather than calligraphic. The rhythm is tight and upright, with a consistent, mechanical texture across caps, lowercase, and figures.
Best suited to short, high-impact text where its condensed footprint and heavy presence are assets—headlines, posters, packaging panels, and wayfinding or product signage. It can also work for wordmarks and bold labels where a tight, industrial texture is desired, while longer passages will benefit from larger sizes and generous spacing.
The overall tone is bold and no-nonsense, balancing friendliness from the rounded corners with a tough, industrial edge. It feels distinctly retro and display-driven—more headline and poster than bookish—projecting confidence, impact, and a slightly sporty, uniform-like attitude.
The design appears intended to deliver maximum impact in minimal horizontal space, using rounded-rectangle geometry to keep forms cohesive and sturdy. Its simplified, monoline construction suggests an emphasis on reproducibility and strong silhouettes for display applications.
Distinctive narrow apertures and compact counters create strong silhouette recognition, but also make interior detail minimal at smaller sizes. The figures and capitals share the same tall, rounded-rectangle skeleton, reinforcing a cohesive, signage-oriented voice.