Serif Other Ursa 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Geovano' by Grezline Studio, 'NS Mudolf' by Novi Souldado, 'Greeka' by Umka Type, 'Hockeynight Sans' by XTOPH, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: posters, headlines, book covers, packaging, branding, gothic, medieval, storybook, vintage, dramatic, display impact, historic flavor, thematic voice, carved texture, blackletter-ish, wedge serif, flared, chiseled, ink-trap-like.
A very heavy decorative serif with compact proportions and a strongly sculpted silhouette. Strokes stay largely even in weight, but terminals flare into wedge-like serifs and notched, chiseled corners that create a cut-paper/woodtype feel. Curves are tightened and slightly squared off, with frequent angular joins and small internal apertures that emphasize the dark color. The lowercase maintains a sturdy, upright stance with single-storey forms and a pronounced, rhythmic pattern of flared terminals; numerals follow the same blocky, carved logic for a cohesive texture.
Best suited to short, prominent text where its carved wedges and bold texture can be appreciated—posters, headlines, title cards, book or game covers, labels, and branding that benefits from an antique or fantastical voice. It can work for brief pull quotes or section headers, but is less comfortable for long passages due to its dense interior spaces and strongly stylized terminals.
The overall tone reads gothic and old-world, with a theatrical, poster-ready authority. Its sharp wedges and carved details suggest folklore, fantasy, and historical display work, leaning more storybook and heraldic than contemporary.
Likely designed as a characterful display serif that evokes historic lettering and blackletter-adjacent forms without fully adopting a traditional text face structure. The emphasis appears to be on impact, atmosphere, and a consistent chiseled motif across caps, lowercase, and numerals.
The strong black mass and spiky terminal treatment make the word shapes highly distinctive at display sizes, while the dense counters and decorative notches can visually fill in as sizes get smaller. The mixed straight-and-curved construction gives lines of text a lively, slightly rugged texture rather than a smooth, modern rhythm.