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Free for Commercial Use

Serif Flared Tyva 6 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'ITC Machine' by ITC, 'Gothic 13' by Linotype, 'Hype vol 2' by Positype, and 'Manual' by TypeUnion (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, logotypes, western, circus, poster, rugged, vintage, attention grab, vintage flavor, signage feel, display impact, branding voice, flared serifs, bulb terminals, compact, blocky, high impact.


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A compact, heavy display serif with flared stroke endings that swell into wedge-like serifs and blunt terminals. The forms are tightly proportioned and vertically emphasized, with strong, dark stems and moderately tapered joins that create a carved, stamped look. Counters are relatively small and rounded, and the overall rhythm is punchy and condensed, with noticeable width variation between glyphs that adds a hand-cut, woodtype-like irregularity without losing consistency. Numerals and capitals carry the same chunky, flared treatment, keeping color dense and even in headlines.

Best suited to posters, headlines, and large display settings where maximum impact and a period-flavored tone are desired. It works well for branding accents, packaging, event graphics, and signage that aims for Western, vintage, or showbill character. For longer text, it is more effective as a short, emphatic typographic voice than as a continuous reading face.

The font projects a bold, old-timey showcard energy with clear echoes of Western signage and circus poster typography. Its thick, flaring terminals feel sturdy and theatrical, giving text a confident, attention-grabbing voice that reads as nostalgic and slightly rough-edged rather than refined.

The design appears intended to deliver a dense, commanding display texture while retaining traditional serif cues through flared terminals. Its compact build and dramatic stroke endings suggest a focus on historic signage-inspired flavor and high visibility in bold, short-form typography.

The strong texture comes from the combination of narrow proportions, small apertures, and pronounced flares, which can make interior spaces close up at smaller sizes. It performs best when given room to breathe through generous tracking or larger setting sizes, where the distinctive terminal shapes and compact silhouettes remain crisp.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸