Sans Superellipse Akba 14 is a regular weight, narrow, monoline, upright, normal x-height font visually similar to 'Politica' by Sudtipos (names referenced only for comparison).
Keywords: ui labels, wayfinding, posters, packaging, data display, modern, technical, minimal, utilitarian, friendly, space saving, geometric clarity, system design, legibility, condensed, rounded corners, squared curves, clean, crisp.
This typeface uses a condensed, monoline construction with squared-off curves that read like softened rectangles. Bowls and counters are built from rounded-corner geometry, producing a consistent superelliptical rhythm across letters and numerals. Terminals are generally flat and blunt, with occasional gentle rounding that keeps the texture smooth at text sizes. Overall spacing is fairly tight and the forms are compact, giving lines a tall, efficient silhouette.
It suits interface labels, dashboards, and product/tech branding where compact width and clear, consistent shapes help conserve space. The condensed stance also works well for headlines, posters, and packaging that need a contemporary, efficient look. Numerals feel at home in tables, counters, and other data-forward settings.
The tone is modern and functional with a subtle friendliness from the rounded-rectangle shapes. It suggests a contemporary, engineered sensibility—clean and organized rather than expressive or calligraphic. The narrow proportions add urgency and economy, lending a pragmatic, system-like feel.
The design appears intended to deliver a space-saving sans with a distinctive rounded-rectangle construction, balancing strict geometry with approachable softness. Its consistent stroke and compact proportions aim for clarity and uniform texture across mixed-case text and numbers.
Distinctive squared curves show up strongly in characters with bowls and arcs, while straight stems remain steady and uniform. The numerals follow the same geometry, maintaining a cohesive voice between text and data. The overall color on the page is even, with minimal contrast and a steady vertical emphasis.