Outline Ofki 3 is a very light, very narrow, low contrast, upright, tall x-height font.
Keywords: headlines, posters, titles, logos, game ui, techno, retro, industrial, futuristic, schematic, sci-fi styling, modular system, display impact, technical tone, rectilinear, monoline, outlined, modular, angular.
A rectilinear, monoline outline design built from straight segments and crisp right angles, with occasional chamfered corners that soften turns without introducing curves. The letterforms are tall and compact, with narrow internal counters and a consistent contour weight that reads like a single-line stroke expanded into an outline. Geometry is largely modular and grid-driven, creating a disciplined rhythm across capitals, lowercase, and figures; details like the peaked joins on V/W and the polygonal bowl constructions reinforce a technical, constructed feel. Spacing appears tight and vertical emphasis dominates, helping the outlines remain coherent in word shapes despite the open interior.
Best suited for display settings where the outline geometry can be appreciated—headlines, poster typography, title cards, and branding marks with a technical or retro-futurist theme. It can also work for on-screen UI accents in games or apps when used at comfortable sizes and with high-contrast color choices.
The overall tone feels futuristic and engineered, reminiscent of arcade-era sci‑fi titles, circuitry diagrams, and utilitarian signage. Its hard-edged geometry and hollow construction give it a cool, mechanical voice rather than a warm, editorial one, projecting precision and a slightly playful retro-tech attitude.
The design appears intended to deliver a constructed, grid-based outline aesthetic that reads as technical and futuristic, trading typographic softness for angular consistency and a schematic presence. It emphasizes distinctive silhouettes and a modular system that stays coherent across letters and numerals.
The outline-only construction makes the font strongly dependent on background contrast and sufficient size; at small sizes the interiors and tight corners may visually close up. Several glyphs use distinctive, non-calligraphic constructions (notably the angular bowls and the pointed vertex treatment), prioritizing stylization and a consistent grid logic over conventional text-face familiarity.