Sans Superellipse Etduh 3 is a bold, very narrow, monoline, italic, normal x-height font visually similar to 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, urgent, technical, industrial, retro, compact impact, convey speed, modern utility, display emphasis, condensed, oblique, square-rounded, display, high-contrast spacing.
A condensed oblique sans with a compact, forward-leaning stance and tight internal proportions. Strokes stay largely uniform, with rounded-rectangle (superellipse) bowls and softened corners that keep the geometry smooth rather than mechanical. Apertures are relatively closed and counters are narrow, while terminals are blunt and clean, producing a crisp, blocky silhouette. Uppercase forms are tall and narrow; lowercase is similarly compressed with straightforward, utilitarian construction, and figures follow the same narrow, squared-off rhythm.
Best suited to headlines, posters, and short emphatic phrases where a compact footprint and a sense of speed are desirable. It can work well for sports and automotive-style branding, packaging callouts, and directional or wayfinding-style signage that benefits from a tall, narrow profile.
The overall tone reads fast, assertive, and engineered—like lettering built for motion and emphasis. Its slanted, compressed shapes suggest speed and efficiency, while the rounded corners add a controlled, modern finish rather than a harsh edge. The result feels sporty and industrial, with a subtle retro display energy.
The design appears intended to deliver a high-impact, space-saving oblique sans that feels dynamic and contemporary, using rounded-rectangle geometry to balance firmness with approachability. Its consistent stroke weight and compressed proportions aim for strong presence and clear rhythm in display settings.
In text lines the strong slant and condensed width create a pronounced directional texture, so spacing and line breaks become part of the aesthetic. The squared curves and tight counters make it most convincing at medium-to-large sizes where the superelliptical forms and rhythm are clearly visible.