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Free for Commercial Use

Slab Square Utbu 2 is a very light, wide, medium contrast, upright, normal x-height font.

Keywords: book covers, editorial, pull quotes, packaging, posters, typewriter, literary, vintage, quirky, typewriter revival, editorial voice, readable character, vintage tone, lightweight slab, bracketed, monolinear, high-waisted, loose spacing, ink-trap feel.


Free for commercial use
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A lightly built slab serif with a monolinear feel and soft, slightly bracketed serifs that read as typewriter-derived. Strokes are thin with modest contrast, and the shapes have a roomy, open construction—especially in the bowls and counters—giving the face an airy rhythm. Terminals and serifs are generally flat and rectangular, while curves (C, G, S, a, e, g) are smoothly drawn and slightly idiosyncratic. The lowercase features a single-storey a and g, compact shoulders, and a high-waisted look in letters like b, d, p, and q; punctuation and figures follow the same light, crisp serif logic with oldstyle-like movement in the numerals.

Best suited to display-to-text settings where a light, typewriter-like slab serif can bring character without overpowering content—such as book jackets, magazine typography, essays, pull quotes, and refined packaging. It can also work for posters and headings when ample size and breathing room are available.

The overall tone feels literary and archival, with a gentle typewritten charm rather than strict geometric rigidity. Its slight irregularities and delicate hairline weight add a human, editorial voice—calm and composed, but with a hint of eccentricity.

The design appears intended to evoke a classic typewriter slab serif voice in a lighter, more polished drawing, balancing legibility with recognizable period character. It prioritizes open forms and a consistent serif system while preserving small quirks that keep the texture lively.

The face appears to favor clarity over density: apertures stay open, joins are clean, and the spacing feels generous in running text. Distinctive details in letters like Q, J, and the curved forms help prevent the design from feeling generic while maintaining consistent serif behavior across the set.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸