Sans Other Ufnep 1 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, branding, logotypes, editorial, packaging, minimal, delicate, modern, quiet, quirky, lightweight display, refined simplicity, constructed texture, modern branding, airy, open counters, monoline, hairline strokes.
This is a very thin, monoline sans with open counters and a delicate, almost hairline presence. Shapes are largely geometric but softened by small inconsistencies and occasional breaks or notches at joins and terminals, creating a lightly distressed, constructed look. Curves are clean and generous (notably in C, O, and S), while verticals are straight and spare; spacing feels even and the rhythm stays light across text. Numerals and lowercase maintain the same fragile stroke and open forms, with a modern, pared-back skeleton.
It suits editorial headlines, fashion and beauty branding, and minimalist packaging where a refined, high-end lightness is desirable. The delicate stroke and open shapes also work well for logotypes, short UI labels, posters, and motion graphics where the thin lines can breathe. For longer passages, it performs best at larger sizes and with generous tracking to preserve its fragile detail.
The tone is airy and understated, with a calm, contemporary feel. Subtle irregularities and open forms introduce a gentle, slightly experimental personality that reads as refined rather than loud. Overall it suggests lightness, clarity, and a minimalist sensibility with a hint of quirk.
The design appears intended to deliver an ultra-light, elegant sans voice while adding character through subtle interruptions and handcrafted-feeling details. It prioritizes a clean, contemporary skeleton and legible openness, using tiny imperfections to keep the texture from feeling sterile. The result is a distinctive display-forward style that still holds together in short text settings.
Several glyphs show intentional micro-breaks or notched terminals (visible in letters like C, G, and various lowercase forms), giving a lightly distressed or engineered texture. The ampersand and some punctuation share the same thin, open construction, reinforcing the overall delicacy in running text.