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Sans Normal Nymur 10 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Croih' by 38-lineart, 'Actay' by Arodora Type, 'BR Shape' by Brink, 'Mercenary' by Miller Type Foundry, 'Bozon' and 'Qualion' by ROHH, and 'Pepi/Rudi' by Suitcase Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, playful, chunky, cheerful, bold, impact, approachability, display readability, modern geometric, rounded, soft, compact, poster-like, high-impact.


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A heavy, rounded sans with soft corners and broad, simplified shapes. Curves are generous and geometric, with circular counters in letters like O and a single‑storey, round a, giving the design a compact, chunky rhythm. Joins and terminals tend to be blunt and slightly angled in places, which adds a subtle cut-paper feel while keeping the overall structure clean and highly legible at display sizes. Numerals share the same stout, simplified construction, with large internal spaces and sturdy silhouettes.

Best suited for headlines, posters, packaging, and bold brand marks where a friendly, high-impact voice is needed. It also works well for signage, social graphics, and short UI callouts where immediate recognition and strong visual presence matter more than extended reading comfort.

The tone is upbeat and approachable, leaning toward a playful, contemporary friendliness rather than a formal or corporate voice. Its exaggerated weight and rounded geometry make it feel confident and fun, with an inviting, kid-friendly warmth that still reads as modern.

The design appears intended to deliver maximum impact with a warm, rounded personality—prioritizing solid silhouettes, quick recognizability, and a contemporary geometric feel. Its construction suggests a focus on display typography that remains approachable and legible while projecting confident energy.

In the sample text, the dense color and generous curves create strong word shapes and a distinctive texture, especially in headlines and short lines. The design’s simplified forms keep recognition high, but the heavy mass means it will visually dominate layouts and can tighten readability in long paragraphs at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸