Sans Other Lywy 9 is a bold, narrow, medium contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Akzidenz-Grotesk' and 'Akzidenz-Grotesk W1G' by Berthold, 'Korolev' by Device, and 'MVB Diazo' by MVB (names referenced only for comparison).
Keywords: posters, packaging, signage, labels, headlines, industrial, utilitarian, rugged, military, vintage, stencil effect, object marking, impact display, retro utility, stenciled, condensed, blocky, high-impact, distressed.
A condensed, all-caps-forward sans with a clear stencil construction: most forms are broken by narrow vertical or horizontal gaps that read as bridges. Strokes are heavy and fairly uniform, with slightly softened corners and subtle, uneven edges that suggest a worn or inked-through template rather than clean digital geometry. Counters are tight and compact, and round letters (O, C, G, Q) are built from squared-off curves that keep the silhouette rigid and upright. Numerals follow the same template logic, with segmented bowls and consistent bridging that preserves a strong, poster-like color.
Best suited to short, high-impact text where the stencil structure can be appreciated: posters, headlines, packaging, labels, wayfinding, and industrial-themed graphics. It works especially well when you want an engineered or utilitarian feel and strong figure/ground contrast.
The font conveys a functional, no-nonsense tone associated with labeling, shipping marks, and equipment signage. Its stencil breaks and slightly rough finish add a rugged, lived-in character that feels practical and authoritative rather than polished or decorative.
The design appears intended to mimic practical stencil lettering used for marking objects and surfaces, translating that construction into a consistent display alphabet with a slightly weathered finish. The condensed proportions and heavy strokes prioritize presence and efficient use of space while keeping the forms sturdy and unmistakable.
The stencil gaps are prominent enough to become part of the rhythm, creating a repeating vertical cadence across words. In smaller sizes, the internal breaks and tight counters can visually fill in, while at display sizes the template-like segmentation reads clearly and adds texture.