Sans Other Unsa 3 is a regular weight, narrow, monoline, upright, normal x-height font.
Keywords: signage, posters, product labels, ui display, branding, industrial, technical, utilitarian, stencil-like, retro, industrial feel, technical voice, system lettering, distinct display, octagonal, chamfered, segmented, angular, mechanical.
This typeface is built from straight, monoline strokes with frequent chamfered corners that create an octagonal, segmented silhouette. Curves are largely avoided or implied through clipped angles, producing geometric counters and squared-off bowls in letters like O, C, and G. Terminals tend to end in flat cuts, sometimes with small breaks or notches that add a faint stencil flavor without fully separating strokes. Proportions read as compact and slightly condensed, with a consistent stroke weight and a crisp, engineered rhythm across caps, lowercase, and numerals.
It suits short-to-medium display text where a technical, manufactured aesthetic is desired—such as signage, posters, packaging and product labels, sports or equipment branding, and interface headings. The consistent stroke and condensed proportions help it hold together in tight layouts, while the angular details provide character at larger sizes.
The overall tone is technical and industrial, evoking labeling systems, machinery markings, and display typography associated with engineered products. Its angular construction and notched details give it a purposeful, utilitarian voice with a subtle retro-digital edge.
The font appears designed to translate an engineered, cut-metal or plotted-letterform sensibility into a clean sans structure, prioritizing crisp geometry and distinctive angular counters. Its notches and chamfers suggest an intention to feel systematized and functional while remaining eye-catching for display use.
The design relies on distinctive corner treatments and small internal cut-ins that help distinguish similar forms (notably in the numerals and the rounded letters). The segmented geometry is strong in uppercase, while the lowercase keeps the same mechanical logic, creating a unified texture in text settings.