Hollow Other Meji 4 is a bold, normal width, high contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, signage, playful, retro, neon, cartoon, standout display, retro signage, friendly branding, graphic texture, rounded, monoline, outlined, inline, bubblelike.
A rounded display face built from thick outer contours with a consistent inner inline/knockout that creates a hollow, double-stroke look. Strokes are predominantly monoline in construction, with soft corners, generous curves, and a slightly bouncy, hand-drawn steadiness rather than strict geometric precision. Counters are often simplified and the interior cutouts read as a secondary line running parallel to the outline, giving letters a dimensional, sign-painter feel. The lowercase is friendly and open, with single-storey forms and compact terminals; overall spacing appears even and the forms remain legible despite the decorative interior detailing.
Best suited to headlines and short display settings where the hollow inline can read clearly—posters, branding marks, stickers, packaging callouts, and signage. It can also work for playful UI labels or titles when used at sufficiently large sizes to preserve the interior line detail.
The outlined, hollow styling gives the font a cheerful, attention-seeking tone reminiscent of retro signage and playful packaging. Its rounded rhythm and bubbly silhouettes feel approachable and lighthearted, while the inline detail adds a hint of neon-tube or marquee personality.
The design appears intended to deliver a bold, friendly display voice with a distinctive hollow/inline effect—creating a layered, sign-like presence without relying on shading or gradients. Its rounded, simplified forms prioritize charm and instant recognition over typographic neutrality.
The font’s visual identity depends on the relationship between the outer stroke and the inner inline; at small sizes the interior detail may visually merge, while at larger sizes it becomes a prominent graphic feature. Round characters (O/Q/0) and bowls show especially strong contrast between the filled and knocked-out regions, enhancing the display-centric character.