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Free for Commercial Use

Shadow Tise 2 is a very light, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, logotypes, posters, title cards, branding, futuristic, technical, art deco, airy, elegant, decorative impact, futurism, dimensional look, stylized signage, lightweight elegance, monoline, outline, inline cuts, geometric, angular joins.


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A very thin monoline display face built from open, outline-like strokes with frequent breaks and small inline cut details. The letterforms mix crisp straight segments with broad, clean curves, producing a geometric skeleton that feels drafted rather than written. Terminals are sharp and often clipped, and many glyphs show deliberate gaps at corners and junctions, creating a rhythmic, segmented construction. The result is spacious and delicate in text, with consistent stroke behavior and a slightly mechanical, modular logic across caps, lowercase, and figures.

Best suited to large-size applications where its hairline outlines and internal cut details can be appreciated—headlines, poster typography, title sequences, logotypes, and striking brand marks. It can work for short UI labels or packaging accents when set with generous tracking, but is less appropriate for long-form reading.

The overall tone is futuristic and technical, with a refined, high-end elegance that recalls deco-inspired signage and sci‑fi interface typography. Its airy construction and sharp detailing give it a sleek, experimental character—more about atmosphere and style than neutrality.

The design appears intended to deliver a sleek, outline-based display aesthetic with shadow-like dimensional nuance and purposeful interruptions in the strokes. It prioritizes a distinctive, engineered silhouette and decorative rhythm over dense readability, aiming for modern, concept-forward branding and titling.

Curves (notably in C, G, O, Q and the rounded lowercase) stay smooth and near-circular, while diagonals (A, K, V, W, X, Y) emphasize precision through narrow strokes and clean angles. The segmented joins and open counters can reduce clarity at smaller sizes, but add distinctive texture at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸