Print Daguv 2 is a regular weight, narrow, high contrast, upright, normal x-height font.
Keywords: posters, headlines, book covers, packaging, event flyers, playful, quirky, storybook, witchy, handmade, hand-lettered feel, expressive display, themed mood, attention grabbing, brushy, spiky, jagged, tapered, calligraphic.
This font presents narrow, upright letterforms with a distinctly hand-drawn, brush-and-pen construction. Strokes show sharp tapering, pointed terminals, and intermittent wedge-like flares that create a lively, slightly jagged silhouette. Counters are compact and often irregular, with curves that feel pulled by hand rather than geometrically smoothed. Overall spacing is somewhat uneven and organic, and the alphabet shows small variations in stroke start/finish that reinforce an improvised, drawn-on-paper character.
It performs best in short, attention-getting settings such as posters, display headlines, book or game cover titling, packaging callouts, and event flyers. The expressive stroke endings and irregular rhythm can add personality to branding moments and themed graphics, while longer passages may benefit from larger sizes and generous line spacing to keep the texture from feeling busy.
The tone is playful and quirky with a hint of spooky, storybook theatrics. Its sharp, tapered ends and slightly eccentric proportions suggest handwritten signage, fantasy headers, or Halloween-adjacent flavor without becoming fully horror-style. The overall rhythm feels energetic and mischievous rather than formal or restrained.
The design appears intended to mimic informal, hand-lettered print with brush-like contrast and dramatic pointed terminals, prioritizing character and mood over strict consistency. Its narrow proportions help it fit energetic headlines into tighter spaces while keeping a distinctive, illustrated presence.
Round characters (like O, Q, and 0) are visibly asymmetric and somewhat pinched, while diagonals and joins often resolve into pointed tips. Numerals follow the same drawn logic, mixing thick-to-thin movement with dramatic hooks and angled cuts, which makes them visually expressive but less uniform than text-centric designs.