Sans Faceted Firy 9 is a regular weight, normal width, monoline, italic, normal x-height, monospaced font.
Keywords: code ui, terminal ui, tech branding, game ui, labels, techy, mechanical, retro, utilitarian, angular, systematic, machined feel, interface clarity, distinct texture, faceted, chamfered, geometric, boxy, octagonal.
A sharply faceted sans with chamfered corners that substitute for curves, producing an octagonal, cut-metal silhouette across rounds and bowls. Strokes are consistently even and fairly straight, with diagonal cuts at terminals and joins that create a crisp, planar rhythm. The italic slant is steady and uniform, while counters remain open and rectangular-leaning, keeping letterforms sturdy and high-contrast against the page without relying on stroke modulation. Numerals and capitals share the same angular construction, and the overall spacing feels systematic and grid-aligned, reinforcing a structured, engineered look in text.
Well suited to coding environments, terminal-style interfaces, and technical dashboards where a rigid rhythm and highly regular construction support scanning. It also fits game UI, sci‑fi or industrial branding, packaging accents, and labeling/signage where an engineered, angular voice is desired.
The font reads as technical and industrial, with a retro computer/terminal undertone driven by its monospaced cadence and hard-edged geometry. Its faceted cuts give it a rugged, machined personality—practical rather than expressive—suggesting instrumentation, sci‑fi interfaces, or hardware labeling.
The design appears intended to merge a disciplined, grid-based text rhythm with a distinctive faceted geometry, replacing curves with planar cuts to evoke machined precision. The goal seems to be a functional, system-like typeface that still carries a strong, recognizable texture in both all-caps and mixed-case settings.
The consistent chamfering across curved letters (such as C, G, O, Q, and S) creates a distinctive “polygonal round” motif that stays coherent from display sizes down into paragraph samples. The slanted construction and squared punctuation-like details (e.g., the dot in the zero) contribute to a purposeful, device-oriented aesthetic.