Sans Superellipse Ogkuv 6 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february; 'Festivo Clean', 'Festivo LC', and 'Festivo Letters' by Ahmet Altun; 'Cream Opera' by Factory738; 'Neusa Neu' by Inhouse Type; and 'SK Merih' by Salih Kizilkaya (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, industrial, retro, utilitarian, friendly, compact, space saving, soft geometry, display impact, sign clarity, rounded, boxy, condensed, sturdy, high-contrast-free.
A compact sans with heavy, even strokes and rounded-rectangle construction throughout. Corners are broadly softened, counters are squarish and open, and curves resolve into superellipse-like forms rather than true circles. The overall rhythm is tight and vertical, with short extenders, a relatively tall lowercase presence, and a consistent, monoline texture that stays solid at large sizes. Numerals and uppercase share the same stout, squared-off proportions, reinforcing a structured, sign-like silhouette.
Best suited to headlines, posters, packaging, and signage where a dense, high-impact word shape is needed. The sturdy monoline build and open, squared counters help maintain clarity in large display settings, while the compact proportions make it useful when space is limited. It can also work for logo wordmarks that want a geometric, friendly-industrial feel.
The tone is robust and practical with a warm, approachable edge coming from the rounded corners. It reads as modern-industrial and slightly retro, balancing strict geometry with softened terminals that keep it from feeling harsh. The condensed stance adds urgency and efficiency, making it feel purposeful and workmanlike.
The likely intention is a space-efficient display sans built from rounded-rect geometry to deliver strong presence without sharpness. By pairing condensed proportions with softened corners and consistent stroke weight, it aims for legible, durable letterforms that feel contemporary yet reminiscent of practical, mid-century signage.
The design relies on straight-sided bowls and squared counters, giving letters like O/C/G and 0/8 a distinctive rounded-box look. Diagonals (A, V, W, X) remain thick and stable, and the overall impression is more engineered than calligraphic, with minimal stroke modulation and consistent join behavior.