Sans Superellipse Udlik 6 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka; 'Midsole' by Grype; and 'Navine', 'Revx Neue', and 'Revx Neue Rounded' by OneSevenPointFive (names referenced only for comparison).
Keywords: headlines, branding, sportswear, posters, gaming ui, techy, sporty, futuristic, assertive, dynamic, high impact, speed cue, modernize, brandable, ui clarity, rounded corners, squared curves, condensed feel, compact, angular.
A slanted sans with squared, superellipse-like curves and generously rounded corners, producing a clean “rounded-rectangle” geometry throughout. Strokes are heavy and even, with low contrast and mostly blunt terminals; curvature is restrained and often replaced by chamfer-like turns. The caps are compact and wide-set with a forward-leaning stance, while the lowercase keeps a straightforward, utilitarian structure; counters tend to be rectangular and slightly inset, reinforcing the engineered feel. Numerals follow the same boxy rhythm, with open, squared bowls and consistent stroke weight that holds up well at display sizes.
Best suited to headlines, logos, and short statements where its compact, futuristic shapes can read as a distinctive visual signature. It works well for sports and automotive-themed branding, game titles, UI labels, and promotional graphics, and is less ideal for long-form text where the strong slant and dense shapes can become tiring.
The overall tone is fast, technical, and performance-oriented, evoking motorsport graphics, sci-fi interfaces, and contemporary athletic branding. Its forward slant and tight, squared curves create a sense of motion and confidence rather than softness, even with the rounded corners.
The likely intention is to deliver a contemporary, high-impact sans with a forward-leaning, speed-driven personality, using superellipse-based construction to keep forms crisp, consistent, and easily brandable across words and numerals.
The design maintains strong stylistic unity across uppercase, lowercase, and figures, with a noticeable emphasis on horizontal/vertical tension and clipped curves rather than fully round forms. Spacing appears tuned for punchy headline setting, giving words a compact, blocky silhouette that reads as modern and purposeful.