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Sans Superellipse Abkar 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Applied Sans' by Monotype, 'Pragmatica' by ParaType, 'PF Das Grotesk Pro' by Parachute, 'Hamburg Serial' by SoftMaker, and 'TS Hamburg' by TypeShop Collection (names referenced only for comparison).

Keywords: headlines, ui labels, signage, branding, posters, modern, confident, clean, friendly, utilitarian, clarity, modernization, approachability, systematic design, impact, rounded, compact, geometric, monoline, high legibility.


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A compact, heavy sans with monoline construction and softly squared curves that lean toward superellipse geometry. Counters are generous and open, with smooth joins and minimal stroke modulation. Terminals are mostly straight and neatly cut, while round letters like O/C/G read as rounded rectangles rather than perfect circles, creating a sturdy, contemporary texture. Lowercase forms are straightforward and functional, with a simple single-storey a and g, and short, crisp arms and shoulders that keep word shapes tight and even. Numerals follow the same robust, simplified logic, staying clear and strongly silhouetted at display sizes.

It performs well in headlines and short statements where a strong, compact sans is needed. The sturdy shapes and open counters also suit UI labels, navigation, and informational graphics, as well as wayfinding and signage where quick recognition matters. It can anchor brand systems that want a contemporary, no-nonsense voice with a slightly rounded edge.

The overall tone is modern and practical, projecting confidence without feeling aggressive. Rounded-square forms add a mild friendliness and approachability, while the dense weight and tidy spacing communicate stability and clarity. The result feels contemporary and system-like, suited to straightforward communication and brand-forward statements.

The design appears intended to deliver a highly legible, modern sans built from rounded-rectangle geometry, balancing firmness with a subtle softness. Its consistent, simplified forms suggest a focus on clarity, reproducibility, and a dependable visual presence across display and interface contexts.

The typeface maintains consistent curve radii and a uniform rhythm across capitals, lowercase, and figures, giving it a coherent industrial-geometric feel. Diagonals (A, V, W, X, Y) appear clean and sturdy, and apertures are kept open enough to preserve clarity in dense settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸