Sans Superellipse Utbap 4 is a bold, wide, monoline, upright, normal x-height font visually similar to 'Fagot' by VladB (names referenced only for comparison).
Keywords: headlines, branding, logos, posters, user interfaces, techy, futuristic, industrial, sporty, confident, modernize, futurism, utilitarian clarity, brand impact, screen presence, rounded corners, square-round, geometric, clean, compact apertures.
A geometric sans built from squared-off, superellipse-like curves and flat terminals, giving many letters a rounded-rectangle silhouette. Strokes are consistently even, with generous internal counters in rounded forms and tighter apertures in letters like C, S, and e. Corners are smoothly radiused rather than sharp, producing a sturdy, machined look. The lowercase is simple and single-storey where expected (a, g), with minimal modulation and a controlled, grid-like rhythm across the set.
Best suited to display sizes where its superellipse geometry and rounded-square forms are a feature: technology branding, product identities, packaging, sports/fitness graphics, and UI titles or navigation. It can also work for short blocks of text in interfaces or signage where a firm, contemporary voice is desired.
The overall tone feels modern and engineered, with a clear sci‑fi and UI influence. Its softened-square geometry reads assertive and technical without becoming aggressive, projecting a contemporary, product-focused confidence.
Likely designed to merge geometric clarity with softened corners, creating a forward-looking sans that feels both industrial and approachable. The consistent stroke and rounded-rectangle construction suggest an emphasis on strong silhouette, quick recognition, and a distinctively modern character.
The numerals follow the same rounded-rect geometry, with figures like 2, 3, 5, and 9 showing streamlined, horizontal-led construction that reinforces a digital/industrial flavor. Round letters (O, Q) are notably squarish in their curvature, and the punctuation and dots appear clean and utilitarian.