Hollow Other Alba 11 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'De Fonte Plus' by Ingo and 'Boulder' by Umka Type (names referenced only for comparison).
Keywords: kids branding, packaging, posters, headlines, stickers/merch, playful, bubbly, cartoonish, friendly, puffy, playfulness, attention grabbing, cartoon display, brand personality, rounded, blobby, soft corners, inline cutouts, chunky.
A highly rounded, puffy display face with heavy, ink-trap-free forms and soft, swollen terminals. Letter construction leans geometric but intentionally irregular, with subtly varying widths and a buoyant baseline rhythm that feels hand-shaped rather than mechanically uniform. Many glyphs include small internal knockouts/inline cavities that read as glossy cut-ins or hollowed highlights, adding a cutout dimension inside otherwise solid strokes. Counters are generally tight and circular, curves dominate over straight segments, and joins are smooth and bulbous, producing a dense, sticker-like silhouette.
Ideal for short, punchy display settings such as children’s products, snack/candy packaging, playful event posters, social media graphics, toy or game branding, and sticker/merch designs. It works especially well when used sparingly for headlines or logos where its bubbly mass and hollowed details can remain clearly visible.
The font communicates a lighthearted, kid-friendly energy—more toy-like and comedic than formal. The internal cutouts give it a fun, candy-coated or inflatable feel, suggesting whimsy and approachability while keeping strong visual impact.
The design appears intended to deliver maximum friendliness and visual weight through balloon-like forms, while the internal cutouts introduce a distinctive hollow/inline character that adds personality and depth. The overall goal seems to be a memorable, cartoon-leaning display voice that stays cohesive across caps, lowercase, and numerals.
At text sizes the tight counters and decorative internal cutouts can visually fill in, so the design reads best when given room—larger sizes, generous line spacing, and simple backgrounds. Numerals and capitals share the same rounded, swollen logic, keeping the overall set cohesive and poster-forward.