Sans Faceted Omna 6 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Informational Gothic JNL' by Jeff Levine, 'Antiquel' by Lemonthe, 'Highriser' by Nicolas Deslé, and 'SAA Series C' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, logos, posters, sports branding, packaging, industrial, military, gothic, sporty, technical, impact, compactness, ruggedness, geometric rigidity, signage clarity, octagonal, angular, chamfered, blocky, high-contrast (ink).
A heavy, condensed display face built from straight strokes and sharply chamfered corners, replacing curves with faceted, polygonal joins. Strokes are largely uniform in thickness, with squared terminals and consistent internal cut-ins that create octagonal counters in forms like O, C, and G. The proportions are compact and tall, with tight apertures and a steady vertical rhythm; diagonals (A, V, W, X, Y) are crisp and planar rather than smoothly tapered. Numerals follow the same angular logic, with bold, sign-like silhouettes and clear, geometric interior shapes.
Best suited for headlines, wordmarks, badges, and short bursts of copy where its angular silhouettes and condensed stance can carry impact. It also fits labeling and packaging that benefits from a tough, technical voice, and sports or institutional branding where a rigid, uniform rhythm is desirable.
The overall tone is assertive and utilitarian, evoking stenciled signage, team lettering, and hard-edged industrial graphics. Its faceted construction reads as mechanical and disciplined, with a slightly retro, badge-like flavor that can feel authoritative or rugged depending on context.
The design appears intended to deliver a compact, high-impact sans voice by translating traditional block lettering into a faceted, chamfered geometry. The consistent stroke weight and repeated corner cuts suggest a focus on strong reproduction in display settings and a distinctive, hard-edged identity.
Capitals dominate visually and stay very consistent in width and corner treatment, while the lowercase keeps the same angular vocabulary and compact spacing, producing a dense texture in paragraphs. The sharp corners and narrow apertures make the design feel punchy at larger sizes, while longer text becomes visually intense due to the dark, continuous rhythm.