Sans Normal Adnad 14 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Schnebel Sans ME' and 'Schnebel Sans Pro' by URW Type Foundry (names referenced only for comparison).
Keywords: ui, branding, signage, headlines, data, modern, clean, sporty, technical, dynamic, contemporary, clarity, efficiency, momentum, versatility, oblique, geometric, monoline, open apertures, rounded terminals.
This typeface is an oblique sans with a smooth, monoline construction and broadly geometric letterforms. Curves are built from clean arcs and elliptical bowls, while joins and corners stay crisp without becoming sharp or spiky. Proportions feel generously set with open counters and clear apertures, and the overall rhythm is even and steady across caps, lowercase, and figures. Numerals and letters share a consistent stroke color, with straightforward shapes that read well in continuous text.
It works well for UI and product typography where a modern, angled sans can add momentum without sacrificing clarity. The clean construction also suits branding, headlines, and signage, especially in contexts that benefit from a technical or athletic feel. Its consistent figures make it a solid option for dashboards, labels, and other data-adjacent settings.
The slanted posture and streamlined geometry give it a contemporary, forward-leaning tone. It feels efficient and slightly sporty, balancing a neutral, utilitarian presence with a sense of motion. The overall impression is modern and disciplined rather than expressive or decorative.
The design appears intended as a contemporary oblique workhorse: geometric enough to feel modern and engineered, but restrained enough to stay legible in longer passages. The emphasis seems to be on clean rhythm, open forms, and a confident slant that adds energy while keeping the overall voice neutral.
The forms maintain a consistent optical weight through curves and straights, producing a stable texture in paragraphs. Round characters (like O, C, and e) stay smooth and open, while diagonals (such as in A, V, W, and y) reinforce the energetic, angled stance. The overall character remains understated, with clarity prioritized over stylization.