Sans Superellipse Ogmek 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Protrakt Variable' by Arkitype, 'Compasse' by Dharma Type, 'FS Untitled' by Fontsmith, 'Camore' by Maulana Creative, 'Reload' by Reserves, and 'Obvia' by Typefolio (names referenced only for comparison).
Keywords: headlines, branding, logotypes, posters, packaging, techy, friendly, modern, sturdy, playful, modernize, soften, systematize, brand impact, ui friendliness, rounded, geometric, soft corners, compact, blocky.
A heavy, rounded sans built from rounded-rectangle and superellipse-like forms, with smooth, consistently radiused corners and mostly uniform stroke thickness. Curves are squared-off rather than circular, producing boxy counters and terminals with a soft, machined feel. Proportions lean compact with generous corner rounding and relatively closed apertures, creating dense, sign-like silhouettes. The lowercase is simple and functional, with single-storey forms where expected and minimal contrast; figures follow the same rounded, modular construction for a cohesive set.
Best suited to display applications where its chunky rounded geometry can be appreciated: headlines, brand marks, posters, packaging, and UI/wayfinding-style titling. It can work for short blocks of text when a bold, friendly tech aesthetic is desired, but its compact forms and tighter apertures are most effective at medium-to-large sizes.
The overall tone is contemporary and device-forward, combining a friendly softness with a robust, utilitarian presence. Its rounded geometry gives it an approachable, playful edge, while the weight and compact rhythm keep it confident and industrial.
The font appears designed to deliver a modern rounded-geometry voice that feels engineered yet approachable. Its superellipse construction and consistent radiusing suggest an intention to look clean and systematic, while remaining warm enough for consumer-facing branding and product interfaces.
The design favors uniformity and modular repetition across letters, which helps it feel consistent in headlines and short lines. The squared curves and softened corners make it read as “rounded tech” rather than purely humanist, and the tight openings can amplify the chunky, logo-like character at larger sizes.