Font Hero

Free for Commercial Use

Sans Superellipse Ombeg 10 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Miura' by DSType, 'Gotham' by Hoefler & Co., 'Neusa Neu' by Inhouse Type, 'Core Sans NR' by S-Core, 'Eastman Condensed' by Zetafonts, and 'Althawra Fikra' by syria arabic (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, modern, industrial, techy, assertive, clean, impact, compactness, modernity, clarity, utility, rounded corners, compact, geometric, high contrast (mass), crisp.


Free for commercial use
Customize the font name

A compact, heavy sans with rounded-rectangle geometry that shows up in the bowls and curved joins. Strokes are uniformly thick with minimal modulation, producing a dense color and strong silhouette. Curves tend toward superelliptical arcs rather than circular rounds, and corners are softened, giving forms like O/C/G a squarer, engineered feel. Apertures are relatively tight and counters are small for the weight, while spacing and widths stay controlled for a tidy, efficient rhythm across text.

Best suited to headlines, short statements, and bold UI or product labeling where a compact footprint and strong presence are helpful. It can work for signage and wayfinding-style applications thanks to its sturdy shapes and simplified detailing, and it also fits contemporary branding that wants an industrial or tech-leaning feel.

The overall tone is contemporary and utilitarian, with an engineered, signage-like confidence. Rounded corners keep it from feeling harsh, but the dense weight and compact proportions still read as direct and authoritative. It suggests a modern, tech-forward voice suited to bold statements rather than delicate nuance.

The design appears aimed at delivering maximum impact in a tight width while maintaining a friendly, modern finish through softened corners. Its consistent stroke weight and superelliptical curves suggest an intention to feel engineered and contemporary, balancing efficiency with approachability.

Uppercase forms maintain a consistent, disciplined geometry, while lowercase shows simple, sturdy construction (notably single-storey shapes where applicable) that supports fast recognition at larger sizes. Numerals are straightforward and sturdy, matching the same rounded-rectangular logic for a cohesive set.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸