Sans Superellipse Ormon 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Miguel De Northern' by Graphicxell, 'Neusa Neu' by Inhouse Type, and 'Conthey' by ROHH (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, industrial, sporty, assertive, compact, modern, impact, space-saving, modern utility, display strength, condensed, blocky, rounded corners, squared curves, closed apertures.
A condensed, heavy sans with rounded-rectangle construction throughout. Curves resolve into squarish bowls and softened corners, giving round letters a superelliptical, almost molded look. Strokes stay consistently thick with minimal modulation, and counters are relatively small, producing a dense, punchy color. Terminals are blunt and squared-off, with simple, sturdy joins and a generally uniform rhythm from caps to lowercase and numerals.
Best suited to headlines and short statements where concentrated width and strong weight are advantages. It works well for branding, labels, packaging, and signage that needs a compact, high-impact voice. In longer passages, it will be most comfortable with generous tracking and line spacing to offset the dense counters and tight proportions.
The overall tone is bold and no-nonsense—mechanical, compact, and energetic. Its tight proportions and squared curves read as contemporary and utilitarian, with a sporty, poster-like confidence that feels more about impact than delicacy.
The design appears intended as a condensed, high-impact sans that blends geometric simplicity with rounded-rectangle forms for a distinctive, modern silhouette. The consistent stroke thickness and softened corners suggest a goal of strong legibility at larger sizes while preserving a cohesive, industrial character across letters and numbers.
The lowercase follows the same squared-round logic as the caps, keeping a cohesive texture in text. Several letters show fairly closed openings and compact counters, which strengthens presence at display sizes but can make crowded settings feel darker. Numerals match the condensed stance and heavy weight, maintaining consistent width and visual mass within strings of figures.