Sans Superellipse Orgab 2 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Rogue Sans Nova' by Device, 'Cantiga' by Isaco Type, and 'RBNo2.1' by René Bieder (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, condensed, punchy, modern, assertive, space saving, maximum impact, modern utility, display clarity, blocky, squared-round, compact, dense, poster-like.
A compact, heavy sans with tall proportions and tightly contained counters. Curves resolve into rounded-rectangle forms, giving bowls and terminals a squared-off softness rather than pure circular geometry. Strokes are uniform and sturdy, with minimal contrast and firm, blunt endings; joins are clean and the overall rhythm is dense and vertical. Numerals and lowercase share the same condensed, high-impact stance, with single-storey forms and simple interior shapes that stay open for the weight.
Best suited to headlines and short blocks where maximum impact is needed in limited horizontal space. It can work well for branding and packaging that want a compact, industrial-modern voice, and for signage or labels where a dense, high-contrast presence against the background is desirable. For long reading, it will be most comfortable when given generous size and spacing.
The tone is bold and no-nonsense, leaning industrial and contemporary. Its squared-round construction feels engineered and utilitarian, while the condensed footprint adds urgency and emphasis. Overall it reads as confident, loud, and pragmatic rather than delicate or expressive.
The design appears intended to deliver a highly compact, high-impact sans for display typography. Its squared-round skeleton and uniform stroke width suggest an aim for an engineered, contemporary look that remains robust and legible under heavy weight, prioritizing strong silhouette and efficient space usage.
In text, the narrow set and heavy color create strong line density, making it especially effective at larger sizes where the rounded-rect counters and distinctive, compressed silhouettes can be appreciated. The punctuation and diacritics shown follow the same sturdy, simplified treatment, keeping the texture consistent across lines.