Hollow Other Tina 1 is a very bold, very wide, very high contrast, upright, normal x-height font.
Keywords: posters, headlines, signage, packaging, logotypes, western, playful, vintage, circus, rugged, period display, attention grab, inline texture, signage look, woodtype revival, slab serif, tuscan, inline, decorative, poster.
A decorative slab-serif with heavy, blocky letterforms and pronounced, bracketed serifs. Strokes feature consistent inline cutouts that read as a hollowed/knockout detail, creating a two-layered look within the black silhouette. Many terminals and joins have flared, slightly notched shapes with soft curves, giving the outlines a hand-hewn, woodtype-like texture while keeping an overall sturdy rhythm. Counters are generally compact, and spacing feels intentionally tight and display-oriented, with clear differentiation between rounded and angular forms.
Best suited for display applications where the inline cutouts can be appreciated—posters, event branding, storefront-style signage, labels, and packaging. It also works well for short headlines, badges, and logotypes that want a vintage showcard or Western flavor, especially at medium-to-large sizes.
The inline knockouts and flared slab-serifs evoke show posters, saloon signage, and turn-of-the-century display typography. It feels bold, spirited, and a bit theatrical—more about character and spectacle than neutrality. The slightly rough, cutout detailing adds a crafty, nostalgic tone that reads as fun and attention-seeking.
The design appears intended to modernize classic woodtype/Tuscan display forms with a consistent hollowed inline detail, delivering instant personality and a strong period atmosphere. Its primary goal is impact and stylistic voice, using decorative knockouts and slab-serif structure to stand out in bold, graphic compositions.
The inline treatment is most visible in broad verticals and curves, where the interior cutouts create a dimensional, stamped effect. Rounded letters (O, Q, C) retain strong presence through thick outer contours, while diagonals (K, X, Y) lean into the decorative notches and flares. Numerals follow the same carved, inline logic, keeping the set visually cohesive for headline and badge-style uses.