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Free for Commercial Use

Slab Square Hyka 14 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Evanston Tavern' by Kimmy Design, 'MARLIN' by Komet & Flicker, 'Chicago Shift' by Letterhend, 'FTY JACKPORT' by The Fontry, 'Palo Slab' by TypeUnion, and 'Winner' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, signage, branding, packaging, western, rugged, industrial, athletic, retro, display impact, woodtype feel, heritage signage, rugged utility, poster voice, blocky, bracketed, ink-trap, stencil-like, high-impact.


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A heavy, block-built slab with squared forms and chamfered corners that read like cut wood or stamped metal. The strokes are broad and even, with compact counters and a strong vertical emphasis; many joins show small triangular notches and stepped cut-ins that create an ink-trap, carved look. Serifs are stout and rectangular, integrated into the letterforms rather than delicately appended, giving the face a cohesive, poster-ready texture. The lowercase follows the same block logic as the caps, with short ascenders/descenders and tightly enclosed bowls that maintain a dense rhythm in text.

Best suited to short, high-impact settings such as posters, headlines, storefront or event signage, product labels, and bold brand marks. It can also work for team or club-style graphics and retro-inspired packaging where a rugged, stamped aesthetic is desired.

The overall tone is bold and workmanlike, evoking traditional posters, rodeo or saloon signage, and utilitarian industrial labeling. Its angular cuts and squared slabs add a tough, no-nonsense character that feels vintage and assertive rather than refined.

This design appears intended to deliver maximum impact with a condensed, slabbed structure and distinctive carved details. The corner chamfers and notch-like ink traps suggest a deliberate nod to vintage woodtype and durable, manufactured lettering, optimized for attention-grabbing display typography.

The distinctive corner chamfers and internal notches create strong silhouette recognition at display sizes, but the dense counters and compact apertures suggest it will feel darker and more compressed in longer lines. Numerals and capitals appear particularly emphatic, reinforcing a headline-forward personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸