Sans Other Mygib 8 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Copperplate New' by Caron twice, 'Mister London' and 'Point Panther' by Sarid Ezra, 'Luckiest Softie Pro' by Stiggy & Sands, and 'Bulltoad' by Typodermic (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids, logos, playful, friendly, chunky, retro, cartoon, attention, approachability, retro fun, brand voice, display impact, rounded, soft, bubbly, puffy, quirky.
A heavy, rounded sans with inflated, pillow-like strokes and softened corners throughout. Counters are generally compact and rounded, with small apertures that keep the silhouette bold and cohesive. Proportions feel broad and stable, and terminals are blunt with subtly uneven, hand-shaped geometry that adds character without turning into a script. The numerals and capitals maintain a consistent, chunky rhythm, while lowercase forms stay simple and highly legible at display sizes.
Best suited for short, bold statements such as posters, headlines, product packaging, and logo wordmarks where a friendly voice is desired. It can also work well for children’s materials and playful branding, but will feel heavy and dense for long body text or small UI labels.
The overall tone is upbeat and approachable, with a toy-like, cartoon warmth that reads as informal and fun. Its soft, swollen shapes suggest comfort and friendliness, leaning toward a nostalgic, retro-display feel rather than a strict contemporary neutrality.
Likely intended as a characterful display sans that prioritizes warmth, impact, and immediate recognizability. The rounded, overfilled construction appears designed to hold attention at large sizes and communicate a casual, approachable brand personality.
The design relies on silhouette and mass more than internal detail, so spacing and counters become the main drivers of readability. The slightly irregular curves and non-mechanical joins give it a personable, crafted look, especially noticeable in round letters and diagonals.