Sans Superellipse Aggos 4 is a regular weight, narrow, medium contrast, upright, tall x-height font.
Keywords: headlines, subheads, posters, branding, packaging, modern, editorial, crisp, assertive, refined, space-saving, modernize, add edge, editorial clarity, brand voice, condensed, high-waisted, open apertures, tapered terminals, vertical stress.
A condensed, upright sans with a tall x-height and a strongly vertical rhythm. Strokes are mostly monolinear with subtle contrast created by tapered joins and angled terminals, giving letters a slightly chiseled finish rather than blunt cuts. Curves are compact and rounded-rectangular in feeling, with tight bowls and controlled counters; horizontals are short and crisp, and many forms show gently flared ends. The overall texture is even and economical, with clear differentiation in the capitals and a compact, readable lowercase built for tight setting.
This design is well suited to headlines, subheads, and display typography where condensed width helps fit more characters per line while keeping a strong vertical presence. It can also work for branding and packaging that benefits from a modern, slightly sharpened sans. For longer text, it will perform best at comfortable sizes and with ample leading to preserve clarity in its compact counters.
The font reads as contemporary and editorial, balancing minimalism with a distinctive sharpness at terminals. Its condensed stance and crisp finishing convey efficiency and seriousness, while the rounded, compact curves keep it approachable rather than stark. The tone is confident and slightly stylized, suitable for design that wants a modern voice without looking generic.
The likely intention is a contemporary condensed sans that stays clean and efficient but avoids neutrality through tapered, angled terminals and compact, rounded-rectangular curves. It appears designed to deliver a strong, editorial voice in space-conscious layouts while maintaining legibility and consistent paragraph color.
Letterforms show consistent narrowing and a disciplined width scheme, creating a steady color in paragraphs. The angled finishing is especially noticeable on diagonals and in letters like A, V, W, and Y, adding energy without introducing cursive motion. Numerals appear similarly narrow and clean, aligning well with the uppercase in presence.