Sans Superellipse Lune 3 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Angulosa M.8' by Ingo, 'Fresno' by Parkinson, 'Hornsea FC' by Studio Fat Cat, and 'TD Pobeda' by Tektov Dmitry Type (names referenced only for comparison).
Keywords: headlines, posters, logotypes, branding, packaging, techy, retro, industrial, futuristic, playful, impact, compactness, geometric unity, modern signage, distinctiveness, rounded corners, soft geometry, high contrast (mass), condensed, compact.
A condensed, heavy-weight sans with monoline construction and strongly rounded-rectangle (superelliptic) geometry throughout. Corners are consistently softened, terminals are blunt, and bowls/counters tend toward squared ovals, creating a compact, engineered rhythm. Curves transition quickly into verticals, apertures are relatively tight, and many glyphs emphasize tall stems and narrow widths for a stacked, space-efficient texture. Numerals follow the same blocky logic, with squared counters and uniform stroke presence.
Best suited to display applications where impact and a distinctive geometric texture matter: headlines, posters, short UI labels, packaging, and brand marks. It can also work for wayfinding-style snippets or product naming where a compact, technical feel is desired, but it’s less ideal for small-size body text due to dense forms and tight apertures.
The overall tone feels tech-forward and slightly retro, reminiscent of modular signage, arcade-era display lettering, and utilitarian labeling. Its rounded corners keep the voice friendly rather than harsh, balancing industrial solidity with a playful, futuristic charm.
The font appears designed to deliver a bold, compact silhouette built from rounded-rectangular primitives, prioritizing consistency and a strong industrial/tech flavor. Its narrow set width and uniform stroke behavior suggest an aim toward punchy, space-saving display typography with a cohesive, modular character.
The design leans on repetition of a few core shapes—rounded vertical capsules and squared bowls—so strings of text read as highly patterned and mechanical. The condensed proportions and heavy mass make it most effective when given generous tracking and line spacing, especially in longer phrases.