Sans Other Loreh 3 is a bold, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, branding, posters, logos, packaging, playful, geometric, retro, techy, signage, distinctiveness, thematic display, logo utility, graphic system, monoline, rounded, stencil-like, cut-in, inline dots.
A geometric sans with monoline strokes, round counters, and a crisp, constructed feel. Many glyphs incorporate deliberate cut-ins and internal circular dots, producing a pseudo-stencil rhythm while keeping overall forms clean and legible. Curves are broadly circular (notably in C, G, O, and numerals), while diagonals and terminals are sharply trimmed, creating a consistent interplay of soft bowls and hard, angular joins. The lowercase is compact and structured, with simplified apertures and occasional unconventional details that read as intentional graphic motifs rather than calligraphic modulation.
Best suited to display sizes where the internal dots and cut-ins can be clearly perceived: headlines, posters, brand marks, packaging, and themed event or entertainment graphics. It can also work for short UI labels or signage when a distinctive, friendly-tech character is desired, but its decorative details make it less ideal for dense, small-size text.
The overall tone is playful and futuristic, with a retro display sensibility. The dot-and-cutout vocabulary gives it a gadget-like, sci‑fi flavor that feels at home in themed environments, while the steady geometry keeps it orderly and modern. Its personality is more expressive than neutral, projecting a designed, emblematic voice.
The design appears intended to merge a straightforward geometric sans framework with a signature set of decorative interventions—dots, breaks, and sharp trims—to create a recognizable, system-driven style. It prioritizes memorability and graphic coherence across letters and numbers, aiming for an instantly identifiable voice in display and identity contexts.
Distinctive identifier elements include centered dot counters in multiple rounds (e.g., C/O-like forms) and repeated notches or breaks that suggest a system of construction across the set. The uppercase feels particularly logo-ready due to its strong, iconic silhouettes, while the numerals echo the same circular and cutout motifs for visual continuity.