Sans Superellipse Onbah 7 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'DIN Mittel EF' by Elsner+Flake, 'Mazot' by Hurufatfont, and 'Anodina' by Stefano Giliberti (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, ui labels, modern, confident, clean, friendly, utilitarian, clarity, impact, approachability, contemporary branding, geometric, rounded, blocky, compact, high-contrast aperture.
A heavy, geometric sans with rounded-rectangle construction and evenly weighted strokes. Curves resolve into softened corners rather than true circles, giving bowls and counters a squarish, superelliptic feel (notably in C, O, G, and the numerals). Terminals are largely flat and clean, with crisp joins and a sturdy, compact silhouette; spacing is generous enough to keep the dark color from clogging at display sizes. The lowercase shows simple, single-storey forms (a, g) with a short, functional ear on g and a straightforward, rectangular-leaning dot on i/j.
Best suited to headlines and short blocks where its dense, rounded geometry can read as a strong graphic element. It also fits branding, packaging, wayfinding, and large UI labels where an assertive, contemporary sans is needed and the rounded forms help keep the tone approachable.
The overall tone is contemporary and pragmatic, with a friendly edge created by the rounded geometry. Its bold presence feels direct and dependable, leaning more toward signage and interface clarity than editorial nuance.
The design appears intended to deliver a bold, modern sans voice built from rounded-rectangular geometry, prioritizing strong silhouettes and quick recognition. It aims for a cohesive, system-like look that stays friendly without becoming playful.
Round letters maintain a consistent squareness that produces a distinctive rhythm in text, and the numerals follow the same softened-rectilinear logic for a cohesive alphanumeric palette. The ampersand is plain and sturdy, matching the no-nonsense construction of the rest of the set.