Sans Superellipse Adnim 2 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'FS Industrie' and 'FS Industrie Variable' by Fontsmith and 'Ordina' and 'Ordina Variable' by Schriftlabor (names referenced only for comparison).
Keywords: ui text, product design, signage, branding, editorial, clean, modern, neutral, corporate, friendly, clarity, versatility, systematic, approachability, monoline, open apertures, rounded corners, geometric, smooth curves.
A clean monoline sans with softly squared, superellipse-style curves that keep round letters feeling controlled rather than fully circular. Strokes are even and low in modulation, with crisp terminals and consistently rounded joins. Counters are spacious and apertures stay open, supporting clarity in both capitals and lowercase. The lowercase shows straightforward, contemporary constructions (single-storey a and g), while figures are simple and highly readable with smooth, rounded forms.
This font suits interface and product typography where clean forms and open counters aid legibility, and it scales well for labels, navigation, and dashboards. It also works for contemporary branding systems and editorial layouts that want a restrained, geometric voice with a friendly edge.
The overall tone is modern and composed, balancing a technical, systematic geometry with a mild softness from the rounded-square curves. It feels neutral and dependable rather than expressive, making it read as contemporary and approachable without calling much attention to itself.
The design appears intended as a versatile, general-purpose sans that stays highly legible while adding subtle character through rounded-rectangle geometry. It aims for a modern, systematic look suitable for digital-first environments and clear information display.
The spacing and rhythm read steady and uncluttered, with large interior spaces and a clear separation between similar shapes. The superellipse influence is especially apparent in rounded letters and digits, which look slightly squarer than a purely circular grotesque, giving the design a tidy, engineered finish.