Sans Contrasted Suhi 1 is a bold, very wide, medium contrast, upright, tall x-height font.
Keywords: headlines, posters, logos, sports branding, packaging, futuristic, sporty, techy, assertive, playful, distinctive branding, display impact, tech aesthetic, motion energy, stencil-like, inlined, slashed counters, rounded, geometric.
A heavy, geometric sans with broad proportions and a distinctive inktrap/stencil treatment: many curved letters carry a horizontal slit through the counter, creating a strong “eye” motif in O/C/G/e and related forms. Strokes are mostly monolinear in spirit but show deliberate contrast where joins and terminals taper into angled wedges, especially on diagonals (A, K, V, W, Y) and on the Z’s sharp, sliced terminals. Corners alternate between crisp cuts and softened curves, producing a machined look with purposeful notches and small breaks in some glyphs. The lowercase has a large, rounded construction with simple single-storey a and g, and the numerals are wide and streamlined, with the 8 echoing the split-counter theme.
Best suited to display settings where the distinctive counters and cut terminals can be appreciated—headlines, posters, identity marks, esports/sports graphics, product packaging, and UI hero text. It can work for short bursts of copy, but the strong internal slits and wide set will be most effective when used sparingly and large.
The overall tone feels futuristic and engineered, like lettering designed for motion, interfaces, or performance branding. The repeated slit/counter device adds a sci‑fi, visor-like character that reads as modern and slightly playful while staying bold and confident.
Likely designed to deliver a recognizable, high-impact sans for branding, combining wide geometry with a consistent “slashed counter” motif to create instant distinction. The angled wedges and cut terminals reinforce a fast, technical aesthetic aimed at contemporary, forward-looking applications.
The split-counter motif is a dominant signature and will be most noticeable at display sizes; in longer text it can create a rhythmic banding across lines. Angular cut-ins and occasional breaks give a technical, stencil-adjacent flavor without becoming purely industrial.