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Free for Commercial Use

Sans Contrasted Nodud 2 is a regular weight, normal width, medium contrast, upright, normal x-height font.

Keywords: editorial, book text, magazines, branding, packaging, classic, literary, refined, warm, readability, classic revival, editorial tone, subtle elegance, italic emphasis, humanist, calligraphic, flared, bracketed, tapered.


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This typeface shows a humanist construction with subtly flared terminals and a moderate, calligraphy-influenced stroke modulation. Curves are smooth and slightly organic, while straight strokes often taper or widen gently at the ends, creating a soft, sculpted edge rather than sharp cuts. The uppercase has a traditional, bookish proportion with clear rhythm, and the lowercase maintains open counters and a steady baseline presence; italics in the sample appear as a true italic with a more handwritten flow. Numerals follow the same moderated contrast and curving logic, reading clearly with a slightly classical formality.

It suits editorial typography such as longform articles, essays, and book interior work, where a warm, classical tone is beneficial. The nuanced terminals and modulation also make it a strong choice for magazine headings, cultural institutions, and premium branding or packaging that needs refinement without overt ornament.

Overall, the font conveys a composed, literary tone—polished without feeling cold. The subtle modulation and flared finishing give it an elegant, slightly old-style voice that feels at home in cultured, editorial contexts.

The design intention appears to be a contemporary, readable face with traditional roots, using controlled contrast and flared endings to add warmth and distinction. It aims to provide an elegant text-and-display toolset, with an italic that brings a more calligraphic emphasis for hierarchy and voice.

The design balances clarity with personality: terminals and joins show gentle shaping that adds texture at larger sizes, while the letterforms remain restrained enough to hold together in continuous reading. The sample’s italic stands out as more expressive and flowing, offering a natural hierarchy for emphasis.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸