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Sans Normal Ombok 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Almarena Neue' by Almarena, 'FS Koopman' by Fontsmith, and 'Reyhan' by Plantype (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, confident, modern, friendly, punchy, clean, attention grabbing, modern branding, bold readability, geometric simplicity, geometric, rounded, sturdy, high impact, compact.


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This typeface is a heavy, geometric sans with smooth, round bowls and broadly uniform stroke thickness. Curves are built from near-circular forms, while straights terminate cleanly with minimal modulation, giving the design a crisp, contemporary silhouette. Counters are relatively tight for the weight, and apertures tend toward closed or narrow, creating dense, poster-ready color. The lowercase uses single-storey shapes (notably a and g), with a simple, solid rhythm; the uppercase is wide-shouldered and stable, with generous curves in C, G, O, and Q. Numerals are bold and compact, with clear, straightforward construction suited to large-scale use.

Best suited to display typography where strong presence is needed: headlines, advertising, posters, and bold brand lockups. It also works well for signage and packaging where quick recognition and a clean, modern tone are priorities. For longer reading, it is likely more comfortable at larger text sizes due to its dense interior space.

The overall tone is assertive and upbeat, combining strong weight with rounded geometry that reads as approachable rather than aggressive. It feels contemporary and utilitarian, with a slightly playful friendliness that comes from the circular structure and soft joins. The result is a dependable, high-energy voice that attracts attention quickly.

The design appears intended as a modern, high-impact sans that leverages geometric round forms to stay friendly while remaining emphatic. Its consistent stroke weight and compact counters suggest an emphasis on clarity at large sizes and a strong graphic footprint for branding and messaging.

At smaller sizes the dense stroke and tighter counters can reduce interior clarity, while at display sizes the smooth curves and consistent geometry look particularly polished. The font maintains a steady, even texture across lines, which helps it hold together in short headlines and bold callouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸