Hollow Other Byne 13 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Labours' by Akufadhl, 'Menco' by Kvant, 'Ruggles' by Matteson Typographics, 'Sebino Soft' by Nine Font, and 'Futura Round SB' by Scangraphic Digital Type Collection (names referenced only for comparison).
Keywords: headlines, packaging, posters, kids, stickers, playful, quirky, friendly, crafty, retro, decorative impact, whimsy, handmade feel, brand voice, rounded, blobby, soft, chunky, inked.
A heavy, rounded display face with chunky, mostly monolinear strokes and soft, inflated terminals. The silhouettes feel hand-drawn and slightly irregular, with subtle variation in curve tension and stroke joins that keeps the rhythm lively. Many glyphs include small internal cutouts and punched details—often near joins or counters—creating a distinctive “holey” texture within otherwise solid forms. Counters are generally compact, curves are generous, and diagonals (like V/W/X) stay thick and cushioned rather than sharp. Numerals and capitals match the same bulbous construction, keeping color dense and highly graphic at larger sizes.
Best suited for headlines, posters, packaging, and branding where a bold, friendly voice is needed. It works especially well for kid-focused design, confectionery or craft-themed products, event titles, and short social graphics where the decorative cutouts can be appreciated at larger sizes.
The overall tone is cheerful and whimsical, with a toy-like softness and a slightly mischievous, crafty character. The cutout details add a decorative, handmade flavor that reads more fun than formal, giving headlines a playful spark.
The design appears intended as a characterful, high-impact display font that blends rounded, approachable shapes with decorative internal knockouts to create a memorable texture and a handcrafted feel.
Spacing appears comfortable for a display style, and the dense letterforms create strong typographic color in short phrases. The internal punch-outs are consistent enough to feel intentional and brandable, but they also make the face feel more illustrative than utilitarian.