Sans Other Iffe 11 is a very bold, narrow, low contrast, upright, normal x-height font.
Keywords: posters, headlines, logotypes, packaging, game ui, industrial, stenciled, aggressive, retro, tactical, impact, ruggedness, industrial feel, distinctiveness, title use, angular, condensed, blocky, chiseled, squarish.
A compact, heavy display sans with tightly proportioned, condensed letterforms and a distinctly angular construction. Strokes are mostly monolinear with abrupt joins, sharp corners, and frequent triangular notches and chamfered terminals that create a cut-out, quasi-stenciled feel. Counters tend to be small and squared, and curves are minimized in favor of faceted shapes, giving the alphabet a rigid, machined rhythm. Capitals and lowercase share a sturdy, vertical stance, with blocky forms that hold strong in headlines and short strings.
Best suited for posters, titles, and branding where a bold, engineered voice is desired. It can work well for logos, labels, apparel graphics, and packaging that benefit from a tough, stencil-adjacent aesthetic. For interface or wayfinding-style uses, it’s most effective in short, high-contrast callouts rather than paragraph text.
The overall tone is forceful and utilitarian, evoking industrial labeling, game and film titling, and rugged signage. The sharp cut-ins and wedge-like details add a slightly menacing, high-impact energy while still reading as a structured sans. It feels retro-mechanical—part factory stencil, part arcade-era display.
The design appears intended to deliver maximum impact in a compact width, using angular cuts and reduced curvature to create a signature, industrial texture. Its consistent notch-and-chamfer language suggests a deliberate goal of looking fabricated or carved, while keeping the overall structure simple and sans-driven for clear display reading.
The distinctive triangular incisions and stepped diagonals become a strong identifying motif across letters and numerals, producing a fractured silhouette that reads best at larger sizes. Spacing appears tight and the dense stroke mass can darken quickly in longer text, making it more suitable for punchy settings than continuous reading.