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Sans Superellipse Pegup 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Astoria Sans' by Alan Meeks, 'Aspira' by Durotype, 'Ephemera Egyptian' by Ephemera Fonts, 'Belle Sans' by Park Street Studio, 'Earthboy' by Supfonts, and 'Ligurino' by Typodermic (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, signage, playful, retro, friendly, punchy, whimsical, attention, approachability, retro flavor, handmade feel, soft corners, rounded, chunky, compact, bouncy.


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A compact, heavy display sans with softened, squarish rounding and subtly irregular contours. Strokes are thick and largely even, with slight flare and wedge-like terminals that add movement without creating true serifs. Counters tend to be small and rounded-rectangular, and joins are sturdy, giving the forms a dense, poster-ready texture. The overall rhythm feels slightly hand-cut, with small width variations and a lively, uneven edge that keeps repeated shapes from looking mechanical.

Best suited to short, high-impact text such as posters, headers, storefront or event signage, and packaging callouts where its dense black footprint can do the work. It can also serve as a personality-forward logo or wordmark style, especially in contexts aiming for a retro or playful tone.

The font projects a cheerful, retro sign-painting energy with a mischievous, cartoon-adjacent warmth. Its bold presence reads as approachable rather than corporate, making it feel suited to playful headlines and informal branding where personality matters more than neutrality.

Likely designed to deliver maximum visual impact in a compact footprint while staying friendly through rounded geometry and softened corners. The slight irregularity and flared terminals suggest an intention to evoke hand-made, print-era display lettering rather than a strictly geometric construction.

Uppercase shapes are broad-shouldered and blocky, while lowercase maintains simple, sturdy constructions that stay legible at display sizes. Numerals follow the same rounded, chunky logic, with clear silhouettes and consistent weight. Tight internal space means it benefits from generous tracking and line spacing in longer settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸