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Sans Superellipse Pegoz 4 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Festivo Clean' and 'Festivo LC' by Ahmet Altun, 'Folio' by Bitstream, 'Albireo' by Cory Maylett Design, 'FS Industrie' by Fontsmith, and 'Neusa Neu' by Inhouse Type (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, sports branding, assertive, industrial, retro, sporty, playful, space saving, high impact, branding, headline clarity, geometric unity, condensed, blocky, rounded corners, compact, sturdy.


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A compact, heavy sans with rounded-rectangle construction and softened corners throughout. Strokes are thick and even, with minimal modulation and tight internal counters that keep forms dense and punchy. Curves tend to resolve into squared-off bowls and terminals, giving round letters a superelliptical feel rather than true circles. The lowercase shows simple, sturdy shapes with short ascenders and descenders, while figures are similarly compact and boldly filled, maintaining a consistent, poster-friendly texture across lines.

This font performs best in display settings such as headlines, posters, signage, and bold branding systems where a compact width and strong color are advantages. It can also work well on packaging and labels that need high-impact typography in limited horizontal space. For long passages of body text, it will be most effective at larger sizes with generous spacing.

The overall tone is bold and direct, with a slightly retro, workmanlike flavor. Its squared curves and dense color feel industrial and sporty, while the softened corners keep it approachable rather than harsh. The font reads as energetic and attention-seeking, suited to designs that want impact without ornament.

The design appears intended to deliver maximum visual impact in a space-efficient footprint, using rounded-rectangle geometry to keep forms sturdy and cohesive. Its consistent stroke weight and simplified details suggest an emphasis on bold legibility and a recognizable, industrial-leaning personality for contemporary display use.

The condensed proportions and tight apertures create strong headline presence but can make small sizes feel crowded, especially in dense text. Letterforms rely on simple geometry and consistent stroke endings, producing an even rhythm and a solid typographic “block” on the page.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸