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Free for Commercial Use

Sans Superellipse Onbah 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Atenta' by Glen Jan, 'Corelia' by Hurufatfont, 'Neusa Neu' by Inhouse Type, 'Defante' by Marvadesign, and 'Anodina' by Stefano Giliberti (names referenced only for comparison).

Keywords: headlines, ui, signage, branding, posters, modern, friendly, clean, confident, techy, clarity, approachability, modernity, screen use, brand versatility, rounded, geometric, soft corners, high contrast-free, crisp.


Free for commercial use
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A solid, geometric sans with generously rounded terminals and corners that lean toward superellipse-like curves. Strokes are even and sturdy, creating a compact, high-impact texture, while counters stay open enough for clear word shapes. Round letters (C, O, Q) read as softened rectangles rather than perfect circles, and curves connect smoothly into verticals with minimal modulation. The lowercase is straightforward and contemporary, with a single-storey a and g and a short-armed r, reinforcing a simplified, modern construction. Numerals are broad and stable, with rounded forms and clear differentiation at a glance.

Well suited for UI labels, navigation, and product interfaces where a clear, modern sans with softened geometry is desirable. Its strong presence also works for headlines, posters, and brand systems that want a friendly-tech character and consistent shapes across letters and numerals.

The overall tone is contemporary and approachable: firm and confident from the heavy stroke presence, yet friendly due to the softened geometry. It feels tech-forward and utilitarian without becoming cold, balancing straightforward signage clarity with a casual, human touch.

The likely intention is a contemporary, highly legible workhorse with a softened geometric skeleton—optimized for clarity, consistency, and a modern feel in digital and brand-forward contexts.

The design produces strong color on the page, especially in headings, with consistent rhythm and minimal idiosyncrasies. Rounded joins and terminals help reduce harshness at large sizes and on screens, while the sturdy proportions keep it legible when scaled down.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸