Sans Normal Nabab 3 is a very bold, wide, medium contrast, upright, tall x-height font visually similar to 'Transforma' by Fontfabric, 'Fact' by ParaType, 'Multima' by René Bieder, 'Bajazzo' and 'Bajazzo Rounded' by Schriftlabor, and 'Eastman' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, punchy, playful, bold, retro, impact, approachability, playfulness, display clarity, rounded, soft corners, geometric, compact counters, high impact.
A heavy, rounded sans with broad proportions and a tall lowercase that keeps the texture dense and even. Curves are built from simple geometric bowls with softened corners, while straight strokes end in blunt, slightly eased terminals. Counters are relatively compact in letters like a, e, and s, and joins stay smooth and sturdy, giving the design a solid, poster-ready silhouette. Overall spacing reads generous enough to keep forms distinct at size, while the weight and large curves create a strong, continuous rhythm across words.
Best suited to large-scale uses where weight and rounded geometry can do the work: headlines, posters, logo wordmarks, packaging, and storefront or event signage. It also performs well for bold UI moments like buttons, hero banners, and labels where a friendly, high-impact voice is needed.
The font communicates an upbeat, approachable confidence—more friendly and exuberant than austere. Its big shapes and rounded geometry lean toward a retro-pop sensibility that feels energetic and attention-grabbing without becoming sharp or aggressive.
The design appears intended to deliver maximum impact with a warm, approachable tone, using simplified geometric construction and rounded details to stay readable while feeling playful and contemporary.
Uppercase forms maintain simple, blocky construction with rounded bowls (B, D, O) and strong diagonals (V, W, X) that remain thick and stable. The numeral set matches the same bulbous geometry, with round figures like 8 and 9 reading especially bold and compact. In text, the heavy color and tight internal spaces favor short bursts of copy over long passages.