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Sans Superellipse Otmur 13 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'ITC Officina Display' by ITC, 'Korb' by JCFonts, 'Prelo Condensed' by Monotype, and 'Amsi Pro' and 'Amsi Pro AKS' by Stawix (names referenced only for comparison).

Keywords: headlines, branding, ui labels, posters, signage, modern, confident, friendly, utilitarian, techy, strong presence, friendly geometry, interface clarity, brand impact, rounded, compact, blocky, high contrast counters, soft corners.


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A compact, heavy sans with rounded-rectangle geometry and softly radiused corners throughout. Strokes are consistently thick and largely monoline, producing sturdy, high-impact letterforms with small-to-moderate apertures and counters that stay open enough for clarity. Curved letters (C, G, O, S) lean into superelliptical bowls, while straight-sided forms (E, F, H, N) keep crisp, squared terminals. The lowercase is robust and simple, with a single-storey a and g, a compact e, and a narrow t with a short crossbar; numerals match the same rounded, blocky construction for a cohesive texture.

Performs best in headlines, logotypes, packaging, posters, and signage where its thick strokes and rounded geometry can carry impact. It also suits UI labels, navigation, and short-form copy where a compact, sturdy texture improves legibility and hierarchy. For long paragraphs, it works most comfortably at generous sizes and spacing to offset its dense typographic color.

The overall tone is modern and assertive but softened by the rounded construction, giving it a friendly, approachable edge. It reads as pragmatic and contemporary—well-suited to interfaces and product contexts where a strong, dependable voice is needed without feeling harsh. The uniform weight and compact proportions create a confident, no-nonsense rhythm.

Likely designed to deliver a strong, contemporary sans voice with softened corners and superelliptical curves, balancing technical clarity with approachability. The consistent stroke weight and compact proportions suggest an emphasis on bold presence, clean reproduction, and straightforward readability across display and interface contexts.

At text sizes the dense color and tight internal spaces create a strong typographic presence, making it feel more like a display-forward sans than a delicate reading face. The uppercase has a particularly solid, signage-like stance, while the lowercase maintains a straightforward, functional character that stays consistent with the geometric theme.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸